DECCAN SCHOOL OF PAINTING

• In the sixteenth and seventeenth centuries, under several Sultans of the Deccan, an enchanting and strong school of painting was nourished and thrived in the plateau area of southern India, outside the Vindhya mountain range.
• Bijapur, Golconda, and Ahmadnagar established a complex and distinctive style of court painting. Its distinct sensuality and vibrant colours are strongly associated with regional aesthetics.
• The school emphasized complex composition and strove to create a romantic atmosphere, which was always presented in a natural and vibrant style.

1. Ahmednagar School of Painting

• Hussain Nizam Shah I of Ahmednagar was the sponsor of this school.
• 'Tarif-i-Hussain Shahi' is a noteworthy illustrated manuscript.
• The colours utilized in the Ahmednagar School of Painting are vibrant and deep.
• Females shown in such paintings are from Malwa's northern heritage.
• The northern outfit included choli, long pigtails, and braids with tassels.
• The scenery, bright sky, and lofty horizon in these paintings all have Persian influences.

2. Bijapur School of Painting

• Ali Adil Shah I and his successor Ibrahim II were patrons of the Bijapur School of Painting.
• Najum-al-ulum is a notable work (Stars of Sciences).
• The picture has a vibrant colour palette, as well as animals, palm trees, men, and women, all of which are associated with the Deccan heritage.
• The paintings make extensive use of the colour gold.

3. Golconda School of Painting

• The rulers of Qutb Shahi were benefactors of the Golconda School of Paintings.
• During the reign of Muhammad Quli Qutab Shah, the first major work was completed.
• These paintings depict dance.
• Iranian art has had a significant influence on the Golconda miniature paintings.
• The 'Lady with the Myna Bird' and the 'Lady Smoking Hookah' are two additional noteworthy Golconda paintings.

4. Hyderabad School of Painting

• The Hyderabad School of Painting was established in the third quarter of the eighteenth century.
• It was created in 1724 after Nizam-ul-Mulk established the Asaf Jahi dynasty.
• The painting "Princes in the Company of Maids" is a well-known work from the Hyderabad School of Painting.
• Deccan face forms, rich colours, and clothing were utilized in these paintings.

5. Mysore School of Painting

• This dates from between the 2nd and 7th centuries.
• The elegance, subdued colours, and meticulous attention to detail are hallmarks of Mysore art.
• Mysore Paintings are known for their delicate lines, exquisite brush strokes, beautiful delineation of figures, and subtle use of vibrant vegetable colours and shiny gold leaf.
• The paintings are more than just beautiful items; they are meant to evoke sentiments of devotion and humility in the observer.
• Through his talents displayed in the painting, one can observe the painter's many emotions, which is highly significant to this style.

6. Thanjavur School of Painting

• Developed during the Marathas' rule in the 16th century in the Thanjavur district, it was active from the 17th through the 19th centuries.
• It usually comprises a god with a well-rounded physique and almond-shaped eyes as the central figure. An arch, drapes, and other elements would be employed to form an enclosure for this figure.
• The artwork will be gilded and gem-set, which is a method that uses gold leaf and dazzling stones to accentuate various features of the painting, such as decorations and clothes.
• The paintings would be bright, colourful, and stunningly beautiful, with the majority of them featuring infant Krishna. Even in a dimly lit environment or in the dark, they're supposed to have a luminous presence.
• The Rajus in Thanjavur and Trichy, and the Naidus in Madurai, were the prominent practitioners of the art.